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Someone like you drama3/24/2023 Many of the 2021 drama series contenders project a heartening viewpoint of chosen family, reminding us that found connections can help people rebuild their lives and identities anew after trauma. While family of choice remains concomitant with the needs and cultures of some queer people ostracized from their own, it also applies broadly across TV storytelling. The concept of “chosen family” - the people you form close bonds with even though there’s no biological tie - means lots of different things to lots of different people, and this broad theme is at the pith of this year’s Emmys race. This is something Meghan Markle, the real-life daughter-in-law of Princess Diana, has sadly learned all too well over the past few years. The series emphasizes that, regal or not, an individual doesn’t typically marry just a singular person but an entire ecosystem of personalities, emotions and egos. She wanted roots, so she grafted herself to the most dendritic and deeply entrenched family tree in all of Western civilization. The Crown posits that a vulnerable 19-year-old like Diana chose this family, seemingly the most rock-solid coterie in all of Britain, after growing up in a broken and neglectful home. She submits, lying to herself just for a bit of meager affection or tolerance from a trusted elder. The young woman promises to do better, love Charles better. Diana devotedly absorbs the scolding, even when Elizabeth shames her for casual dalliances with low-born men while her own son carries on a brazen and long-term love affair. If a royal marriage fails, according to her, so does the public’s faith in their ancient institution. Queen Elizabeth (Olivia Colman), solemn and precise, isn’t interested in her son’s or daughter-in-law’s health - rather, she’s concerned about the integrity of the monarchy. You imagine they’re finally going to rip each other to shreds and euthanize this sham of a union, but they’re soon led into an even stuffier parlor to be dressed down by the queen and Prince Philip. After appearing as an actor in a 1967 film, he went 25 years until his next film role, qualifying him as a true Hollywood enigma.In the penultimate episode of The Crown season four, Diana (Emma Corrin) and Charles (Josh O’Connor) perch in silent discomfort inside a palace drawing room, each contemplating the inevitable death of their marriage. It would be decades before British director Michael Sarne would be given an assignment after this disaster. William Hopper appears as a pot smoking judge. The thin plot find Myra seeking out Buck for an inheritance from a distant relative. Carmel and Kathleen Freeman also appear in this film. Myra makes love with Rusty (Roger Herren), his first amorous experience. Farrah Fawcett play Mary Ann, who stirs the lesbian fantasies of Myra, and Tom Selleck is one of Leticia's serviceable studs. West makes her first film appearance in 26 years. Leticia (Mae West) is the lecherous theatrical agent who scouts talent at the acting school of Buck Loner (John Huston). This alone is enough to qualify as a horror film. Myra (Raquel Welch) undergoes a sex change operation by two doctors (John Carradine and Jim Backus) and becomes a man (Rex Reed). This book is an amusing story about sexual transformation, but despite an all-star cast, the film is a dismal failure. This uneven film is taken from the novel by Gore Vidal.
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